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Jamieson Cox
Behind the Keyboard, Episode 1 - David Turner

jamiesoncox:

Behind the Keyboard, Episode 1 - David Turner

Hi everyone,

I’m absolutely thrilled to be uploading the first episode of my summer podcast/interview series, Behind the Keyboard. A few weeks ago I asked everyone on Tumblr if they’d be interested in a series of interviews with music writers who’ve made their digital homes in our dashboards, and the response was fairly large and uniformly positive, so I decided to give it a shot. My guinea pig and honoured first guest is David Turner, a.k.a. dalatu. David has written for Pitchfork, So Many Shrimp, and served as an intern for the editorial board of Best Music Writing 2012, in addition to posting frequently on his own site. We touched on David’s early music writing days, some changes we’d make to Tumblr, major influences on his work, and Gucci Mane-style face tattoos.

This first episode is fairly rough. I’m not an audio editing expert, and my Internet connection is scattershot at best. There might be portions where we’re a bit unintelligible or we talk over each other, and I left the gaffed ending in because, well, why not? I don’t mind letting the seams show the first few times. But with that in mind, please, please, please send me feedback if you have questions or suggestions. (Or if you’d like to be on the show!) My summer dreams would be fulfilled if this turned into a semi-successful, or at least regular, podcast franchise. I can be reached by Ask box, tweet, email, snail mail, and telegraph. 

Thanks again to David, for being an excellent sport, an interesting guest, and an all-around solid dude. And thank you (in advance) for listening!

P.S. It’s only 27 minutes or so; I didn’t want to take too large a chunk out of your evening.

Weird?! But, awesome. Hopefully Jamieson keeps this up, because seriously, this can lead to some amazing things. Also, I’ve never said “Tumblr” before more in my life, and I’ll never not find hearing my own voice weird. 

Filed under THIS IS ME My Life

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November 9th, 2011

  • When I read that Drake’s album leaked, I gave it a listen as people on twitter were talking so much about it, and production by Jamie XX and rumored Lex Luger work made more interested a lot more interested than the previous singles. 
  • On, my first listen, I was kind of blown away by the first 6 songs, especially the opener of “Over My Dead Body” with the opening vocals from Chantal Kreviazuk. I definitely soft crooned “over my dead body” the first few times I listened to that song.
  • I don’t know where this rumor started, but until the album came out the credited producer of “Cameras” was Lex Luger, which helped make that particular song an early highlight. It was actually done by 40 with some help by Drake, but imagining Luger doing this type R&B track would have been such a step up from his stuff like “That Way”. But, either way, the song never stopped being a favorite and I would have enjoyed it if it went on for the entire 7 minute run time.
  • So, on my second listen of “Look What You’ve Done” I was walking back to my dorm from class and had to stop the song before Drake’s grandmother called in, to keep myself from crying and breaking down in the middle of campus. My first listen of the song, I didn’t know where it was going, so I was caught off-guard by Drake’s examining his different familial relationships. But, on that second listen and understanding better where Drake was coming from, I couldn’t help but see it reflect my life back at me, after I was just in an argument with my parents. 
  • “And I leave out and you call me, you tell me that you are sorry/ You love me, and I love you, and your hearts hurts, mine does too”. 
  • “The way you got your hair up, that’s me, and that voice in your speaker, that’s me”, stuck with me because it is a feeling of drowning in sorrows that I have tried to avoid recently, which makes listening to the opening so painful, as I feel like the girl just sitting around in self-pity, as their previous love has already seemingly moved on. This has created a tension listening to the album that remained unresolved even a few months later, because Drake is the main character telling his perspective of this story, which is fine except when I am one that is crying from his actions.
  • “I hate when people say they feel me (I hate that shit), it’ll be a long time before you’ll feel, if ever (for real)”. At some point in December, I texted my friend saying that if I catch myself rapping the lyrics of “Over My Dead Body” or “The Ride”, I’m clearly not having a good day. 
  • I kind of wish, I spent more time on this point, but this album turned Drake around from a guy I kind of sort of liked on hooks to one of my favorite current day rappers, which is something I certainly didn’t see happening when I first started the album. 

Filed under Drake Take Care My Life Fam

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Those of us who grew up on Drive Like Jehu, Braid, and Jawbreaker can listen to Attack on Memory and sense their artistic legacy is in good hands, but there will inevitably be teenagers for whom Attack on Memory stands to be that kind of record to call their own. And hopefully we’ll all meet up in the mosh pit.

Ian Cohen, from his Pitchfork review of Cloud Nothings’ Attack on Memory

God knows how many times I’ll be singing along with Attack on Memory as I drive from strip mall to strip mall this summer. 

(2/3)

Filed under Attack on Memory Cloud Nothings Ian Cohen Pitchfork My Life

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?!A few weeks ago, I went with a friend (of the best variety) to a free concert in Raleigh. Right now, I don’t remember the name of the opening act—they were good though; the second band was the entertaining garage rockers Twerps. But, to short-shift the other two bands further, I was there only for Real Estate. 
That this blog didn’t devolve into a sea of Drake quotes from the time Take Care leaked to mid-January still amazes me. As told by my mother, I’m “over-emotional” meaning I tend to attach myself to things and never-ever-ever-ever let go. This not only applies to relationships with people, but also the arts and while Days isn’t the first album I’ve really connected to my emotional reaction to works is usually immediate. But, I streamed Days a few times before its release, wasn’t too impressed and did not come around to it till December zoning out to the guitar melodies at friend’s house. So, when I finally ordered the album, and gave it some proper listens: Turns out this was the album I wanted hear, while getting wrapped up my in self-pity in the winter. 
I’m not quite sure what my face looked like when I heard the opening chords of “Easy”, but judging from the reaction of the drunken girl near me and the entire rest of the crowd, I can only image it was pure ecstasy. Shouldn’t be too surprising my favorite aspect of Real Estate are the guitars, because on repeated listens the album melts into a beautiful mush of hard to distinguish reverbed guitar melodies. But, when “Easy” began or when another guitar was added for “Kinder Blumen”, the heavenly jangled mush reformed into those highlight tracks.
This sense of joy was kind of hard for me to place, because if I had saw this concert in February, I told my friend I’d probably be a puddle of tears. Not, that wouldn’t have been a good thing—certainly would make for a more dramatic retelling, but my direct emotional connection to the songs on the album had lessened since we first learned about this show. Even with that said, I’d be lying to say I didn’t choke up a bit during “Wonder Years”—and it was more than just Alex Bleeker being a marvelously bearded human being—it was the song that after 15 or so listens became my favorite song the album, a bit simple, the album’s shortest track, but also the one that SPEAKS TO ME THE MOST. Also, turns out I know every word from all the Days tracks, which currently excluding my 2012 2 Chainz guest verse playlist, I cannot think of any recent album where I can pull off the same feat, which answers the non-existent mystery of why I loved this show so much. 

?!A few weeks ago, I went with a friend (of the best variety) to a free concert in Raleigh. Right now, I don’t remember the name of the opening act—they were good though; the second band was the entertaining garage rockers Twerps. But, to short-shift the other two bands further, I was there only for Real Estate.

That this blog didn’t devolve into a sea of Drake quotes from the time Take Care leaked to mid-January still amazes me. As told by my mother, I’m “over-emotional” meaning I tend to attach myself to things and never-ever-ever-ever let go. This not only applies to relationships with people, but also the arts and while Days isn’t the first album I’ve really connected to my emotional reaction to works is usually immediate. But, I streamed Days a few times before its release, wasn’t too impressed and did not come around to it till December zoning out to the guitar melodies at friend’s house. So, when I finally ordered the album, and gave it some proper listens: Turns out this was the album I wanted hear, while getting wrapped up my in self-pity in the winter.

I’m not quite sure what my face looked like when I heard the opening chords of “Easy”, but judging from the reaction of the drunken girl near me and the entire rest of the crowd, I can only image it was pure ecstasy. Shouldn’t be too surprising my favorite aspect of Real Estate are the guitars, because on repeated listens the album melts into a beautiful mush of hard to distinguish reverbed guitar melodies. But, when “Easy” began or when another guitar was added for “Kinder Blumen”, the heavenly jangled mush reformed into those highlight tracks.

This sense of joy was kind of hard for me to place, because if I had saw this concert in February, I told my friend I’d probably be a puddle of tears. Not, that wouldn’t have been a good thing—certainly would make for a more dramatic retelling, but my direct emotional connection to the songs on the album had lessened since we first learned about this show. Even with that said, I’d be lying to say I didn’t choke up a bit during “Wonder Years”—and it was more than just Alex Bleeker being a marvelously bearded human being—it was the song that after 15 or so listens became my favorite song the album, a bit simple, the album’s shortest track, but also the one that SPEAKS TO ME THE MOST. Also, turns out I know every word from all the Days tracks, which currently excluding my 2012 2 Chainz guest verse playlist, I cannot think of any recent album where I can pull off the same feat, which answers the non-existent mystery of why I loved this show so much. 

Filed under I'M JUST LIVING LIFE Live Show My Life Real Estate Hyper-personal-take-on-a-live-concert-thing

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20 Years Ago Today…

I was born!

Once again at this blog known as “Question Mark Exclamation Point” creator, David Turner for those that didn’t know, is celebrating his birthday! What does this mean for you? Nothing! Absolutely Nothing!!!!!

Way too much has happened to me since March 26th, 2011. I finished my first year of college. I was published at Pitchfork. I’ve made some pretty cool new friends at school and gotten to know some of you internet guys better (once again shout out to meeting Brandon, Adam, and Monique at the Danny Brown show in November).  

This week will actually resume my writing about music, so until then listen to “I Don’t Like” and “Same Damn Time (Remix)” on constant repeat at THE SAME DAMN TIME. 

Filed under 20 Years Old My Birthday My Life No Longer a Teen SAME DAMN TIME

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Theme: 90s. Music: Middle School.

Listen to the Space Jam Soundtrack recently? If no, seek it out, or at least listen to the theme song on Youtube. Last Saturday, I was at party where the theme was 90s but I was mentally too out of it to enjoy it. And I was also too lazy to dress up for the theme unless a plaid long sleeve shirt and shitty pants counts as 90s—someone told me they did, so I ran with it. Sources of inspiration for dress ranged from Teenage Mutant Ninja Turtles, the AIM symbol, Rugrats, Britney Spears, Men in Black, and the adjective of “Grunge”. Plenty of people were having fun and in the end that’s all that counts, but as I was trying to identify if some guy was Tupac, Soulja Slim, or Lil B channeling Lil Wayne, the rapid nostalgia and too soon throwbackness of the whole thing was a bit overwhelming.

Would I have had a better time if I didn’t hear a Pussycat Dolls song, (“Don’t Cha” if you were curious) and instead heard “Everybody Dance Now”, probably but maybe that’s asking for too much. Most of the people there would have been in middle school during the early/mid 2000s, and a lot of the music skewed in that direction, because while I love “Say My Name” should that really count for the 90s? Then again I am complaining about a lack of verisimilitude at a college party I did not even properly dress up for. So not that it matters much, but one song I am surprised did not get played was “C’mon N Ride It” by Quad Cities DJs, who did the theme song for what…Space Jam.

I mentioned listening to the Space Jam soundtrack to some friends, and they were like “O yeah, I remember that movie and soundtrack”, which is pretty good considering some of these guys would have been three, when they first saw it. And while Michael Jordan and R. Kelly are names that won’t be forgotten when mentioning Space Jam, I doubt the Quad Cities DJ’s will get as many mentions. And maybe I would’ve liked this 90s revival more if people remembered the time like I do or better yet if they remembered the 90s how I wish I remembered them. I couldn’t have identified a Quad Cities DJs song a few weeks ago, so again maybe no one would want my 90s because I just learned Mark Walberg was a rapper, who had actual hits!

Filed under 90s Space Jam House Music Pussycat Dolls Quad Cities DJs 2012 My Life

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10 Plays
Real Estate
Kinder Blumen

Kinder Blumen - Real Estate

In the grand narrative of my life, right here is me breaking down why I have been seeking out music that could be described as “hypnotic”, “repetitive”, or maybe even “soothing” assuming Johnny Marr is fine with his guitar work being described in such a way. Synthesistby Harald Grosskopf, Steve Hauschildt Tragedy and Geometry, The Smiths’ Hatful of Hallow, Emeralds’ Does It Look Like I’m Here, Blondes’ Blondes, and Real Estate’s Dayshave been my primary go to music, when I haven’t been listening to rap. Besides the cross-generational playlist formed, the connection with all this music whether it be early Indie Rock, pre-House or Techno Electronic music, or just more experimental stuff were the melodies that have locked themselves in my head giving me an odd musical comfort.

“Kinder Blumen” is an instrumental track from Real Estate’s sophomore album Days captures what is great about all of this music, because within the first 10 seconds its breezy charms have captured another heart or the rest of the 3:43 left will continue to grate on a listener as the song progresses. I think one of the things that make all of this music so great is how constant and ever shifting it can be until eventually folds back onto itself ready to repeat the same rifts over and over again. At this time last year, I was constantly listening to 50 Cent’s classic shit-talking works from his major label debut album and his earlier mixtape, which made a stupid but perfect sense as was trying to stake a better claim on who I was in this new world of college. And similarly all of these seemingly disparate albums and sounds have come together offering some kind soft but firm ground for me to tread across this past bumpy month. Generally I’ll shy away from having music too acutely accenting emotional moments in life, but after a while no matter how hard you try, your ups-and-downs will be soundtracked and at that point you are burdened with music that’ll mean much than you could have ever known. 

Filed under Days Kinder Blumen Real Estate The Calmest Indie Rock My Life

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solefoodsreal asked: you're a big fag. you have to understand squadda's early/current discography to write an accurate or even reliable review for Back $ellin Crack. Like, honestly who the fuck are you? Do you know anything about Main Attrakionz? Or do you just dick ride whatever you find on blogs and then criticize it for being exactly that?

Today is probably going to be a long day, so let’s get it started off on the right foot with this lovely message, I woke up to this morning. 

First Sentence: really, really?!

Second Sentence: Ha. Ha. Ha. The amount of music that the Main Attrakionz camp—along with their producers—release would preclude that even if I was a huge fan of their work. Saying this again, but most rappers would just be better off with one release in a year, and pushing that instead of flooding the channel with music that only diehard fans will wade through to find the good stuff. Waka Flocka Flame released an amazing album last year, if you were willing to go through the 7 to 8 mixtapes/albums he released last year. Once more: SEVEN to EIGHT all in one year. 

First Question: I am David Turner. I am getting ready to start my Spring Sophomore semester at Elon University. I write about music a lot. I cry a lot, I am now just sort realizing. And I learning more and more about myself as this school year go on. So, shorter: I am a teen living life. Also, love Parks and Rec. 

Second Question: I know Main Attrakionz are rappers; their manager wrote for the really cool blog Space Age Hustle, and I have been never a big fan of their rapping, even though I still love “Legion of Doom”. 

Third Question: TL; DR for this question is: hahaha. But, I’ll give it a bit more than that.

Yes, that is exactly what I do. I mean, will I make up reasons to dislike music, when the music itself gave me enough reasons to not care about it. I still don’t think Main Attrakionz are interesting rap personalities, as they still demonstrate a lack of ability to rap well at all, so of course I am not going to be too positive on their music. And, just to extend this a bit further. At this blog I stopped caring about being timely with music posts well over a year ago, so there are rare cases you won’t find music here that hasn’t been talked about somewhere else. And more importantly, unless I am talking about some pop song or really local rap song, of course I am going to talk about music I found on blogs, because that is the primary way at this point to find out about new music, especially when I am in the middle of North Carolina, not exactly a rap hot bed. 

Filed under Main Attrakionz Squadda B My Life Blog Life